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4

Societal indicators

Vivendi’s Four “Core” Issues relating to Human Rights

Existence of a formal commitment guaranteeing

balanced representation of society’s diversity in content

and programs

GRI

UNGC OECD Scope covered

G4-56, DMA HR MSS,

DMA PR MSS Content

creation aspect

1, 2

II, IV

Canal+ Group

UMG (9 focus

group countries)

By signing and implementing an Ethics Charter, Canal+ Group is

committed to respecting diversity in its editorial offerings and within

its teams. This commitment is reflected in a proactive policy aimed at

strengthening gender equality and social diversity on its channels, so

that both on-air content and the men and women presenting it illustrate

the diversity existing within the company. By entering into agreements

with the CSA, the Canal+ Group’s channels in France are committed to

respecting the representation of diversity of genres, origins and cultures

and gender equality.

As the leading satellite pay-TV provider in Africa for over 20 years,

Canal+ Overseas, a subsidiary of Canal+ Group, also contributes to

promoting diversity of content due to the variety provided by its package

of around 160 channels and radio stations, including some thirty local

African channels.

In France, according to a study on the presence of women in news

bulletins during the first quarter of 2014 which was carried out for the

second year running by INA (French audiovisual institute) and requested

by the CSA, Canal+ registered a 5.19 point increase compared with

2013 for the presence of female experts – not including journalists or

presenters – on air. Female presenters, for their part, are very much in

the majority (72.6% compared with 11.9% men for all bulletins broadcast

during the period studied).

Today’s music business requires that UMG’s catalog reflects the

world’s diversity of genres, origins and cultures. This is demonstrated

by the signing of local artists in 59 countries and the exposure given

to repertoire performed in over 44 languages by UMG artists. In 2014,

UMG’s 2014 Top 50 album bestsellers globally featured performers who

were one-third female artists, one-third male artists and one-third mixed

groups.

4.1.3.2.

Media Accessibility and Literacy

Vivendi aims to facilitate accessibility of the group’s products and

services so that the most isolated audiences, regardless of where they

live, their age or financial position, can share the benefits of this rich

audiovisual, cinematographic and musical offering.

Initiatives in favor of accessibility of offerings, products

and services (including customer service)

GRI

UNGC

OECD Scope covered

G4-EC8,

MSS M4 1, 2

II, IV

Corporate

Canal+ Group

UMG (9 focus group countries)

GVT

The Canal+ Group’s channels offer their subscribers the following two

systems: close captioning for the deaf or hearing impaired (100% of the

Canal+ channel’s programs in France) and audio description for the blind

or visually impaired. In 2014, the Polish subsidiary, in collaboration with

the Widzialni (“Visible”) Foundation, participated in the development of a

sign language version of the children’s channels MiniMini+ and Télétoon+

programs.

Canal+ Group also strives to improve its satellite coverage to provide

better access to audiovisual content.

p

p

Overseas, Canal+ Overseas offers Canalsat programs in Australia,

Vanuatu, the Comoros, Haiti and the Dominican Republic. These

offers are adapted to suit the material conditions of the population,

such as the monthly offer with no commitment in the Comoros and

the prepaid offers in Vanuatu. In Vietnam, the package price is

affordable for a very large number of people.

On the technical side, in Poland, the satellite operator Eutelsat and

nc+ signed the renewal of the nc+ package’s satellite broadcasting

contract in 2014. This is a major contract for the renewal of nine

transponders (transmitters/receivers) at Eutelstat’s Hot Bird

satellite network. Furthermore, Canal+ Group is making long term

investments in order to increase the geographical area covered

in the French overseas departments and territories in particular

(see also Chapter 4, Note 4, Section “Additional information on

operating expenses” and Note 25, Section 25.1.1 “Off-balance sheet

commercial commitments” of Vivendi’s Annual Report 2014).

UMG contributes to the promotion of music with a diverse audience, the

main objectives being to ensure that all audiences have access to music

and to design educational tools to assist young listeners. The fact that

UMG has digitized its exceptional catalog of musical works provides a

unique way for accessing thousands of recordings that are unavailable in

any physical medium. UMG is developing or partnering with digital music

services in the territories where it is active, which makes its offerings

more accessible.

p

p

The KLEEK, a pan-African mobile streaming service developed in

39 countries, also helps in improving accessibility to musical content

at a low cost by offering thousands of titles by local and international

artists, enriched with exclusive content. In countries that are poorly

equipped with infrastructure, the partnerships between UMG and

telecommunications operators for the creation of music bundles are

helping to improve accessibility to musical content for geographically

isolated populations.

Partnerships with telecom operators enable artists all over the world

to be publicized in regions they have never visited and where access

to music is hampered by low broadband penetration rates and the

absence of credit card payment facilities. These partnerships also

make it possible to contribute to finding the best artists and local

repertoire for promotion. Partnerships of this type are operating in

Brazil, Peru, Argentina and Cambodia, amongst others.

p

p

In France, UMG has teamed up with the carrier La Poste Mobile to

offer unlimited listening to songs from its vast catalog coupled with

a mobile plan at reduced rate (less than €10 per month) for young

people between the ages of 12 and 24. Likewise, under a strategic

partnership with Société Générale, UMG offers young holders of the

So Music! card (which is free to the young person for the first year)

unlimited access to its catalog through the site of the same name and

the mobile phone application introduced in 2014.

As part of the UMG supported Bristol Proms classical music festival,

UMG applies preferential rates (tickets at £5.00 for all performances)

to promote access to live music for young people and people on

low incomes. In addition, UMG offered its audiences over 30 free-

to-consumer concerts in 2014 thanks to strategic partnerships with

brands (see Section 4.1.1.3).

20

Non-Financial Indicators Handbook 2014